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#Orange is the new black

Upside Down (Canada - France, 2011)

#Upside Down


Danny Jones's ALS Ice Bucket Challenge

#Danny Jones
#ice bucket challenge

John Belushi + meltdowns on Weekend Update

#John Belushi
I have the cliche ‘struggling actor’ story. I was waiting tables in New York, went out to L.A. soon after graduation to get some jobs, but it didn’t work out. I wanted to cut my teeth in professional theater, so I came back to New York. It made my journey a longer one, but I really wanted to excel in the theater.
#Pedro Pascal

Anonymously message me (1) thing you want to know about me.

Django unchained (2012)

#Django unchained


Natalie Dormer at the HBO Luxury Lounge featuring Pandora Jewerly, August 24th 2014

#Natalie Dormer

Favourite Screen Costumes || Daisy’s dinner dress (The Great Gatsby 2013)

Costumes by: Catherine Martin

#The Great Gatsby

DOA (Dead or Alive) 2006 dir. Corey Yuen

#Jaime Pressly
#Holly Valence
#Devon Aoki
#Sarah Carter
#god i love this film man
#i don't know why i just do

Ethan Hawke & Julie Delpy Win at Critics’ Choice Awards 2014

#ethan hawke
#julie Delpy

Hello @NathanFillion. In reply. #IceBucketChallenge for #ASL. All yours Benedict & @TheRealLukevans. Please (x)

#Tom Hiddleston
#Ice Bucket Challenge


Happy birthday, Mr. Perry! (born on August, the 19th 1969)

#Matthew Perry

Color and light were also prime elements in Her’s art direction. K.K. Barrett, a production designer and art director, says he was enamored with red and wanted to include just a hint [due to its power] in every frame. “We referenced a photograph of a burning cigarette that was mainly out of focus with this one red dot [from the flame] to complete the composition,” he adds. “When we threw a red jacket on Amy Adams, the camera tests looked so great that the default color became different shades of red throughout. Hoyte wanted to avoid blue, so we skewed our spectrum accordingly.

Her’s playful use of color is evident throughout. Two walls of soft LED light panels in Theodore’s apartment dim and rise as he enters and leaves. “Sometimes those wall lights were pink, sometimes they might have been a warm color reflected in the window at night,” Barrett recalls. “It was a futuristic touch people will recognize right now.”

A similar freedom of color and shape permeates Theodore’s office, at “Spike wanted a fun working environment, he wanted joyous, which I translated into being a riot of colored Plexiglas, instead of paint, which really helped us out budget- and schedule-wise, not having to alter an existing location.”

Van Hoytema embraced the colored Plexiglass. “I would often use [LED-based] light for a shop window behind a character, and make it a strong color. Or, for the shots of Joaquin walking through the city at the beginning, we would insert a splash of bright color around him.” x